PALEO

We’ve been working with Paléo since 2019, through heatwaves, mud, even a pandemic. And every year, the same thing drives me: capturing the people behind the festival as much as the festival itself. Our main challenge has always been the same, delivering the official aftermovie in 24 hours. It’s a creative sprint, shooting, editing, and releasing while everything is still fresh and alive. This year, I pushed things further visually, shooting slow motion at 1000fps with the Freefly Ember revealing details, emotions, and moments the eye can’t catch in real time.

One week festival, one week of slow mo.